
Used with permission, CC3.0: Yngvie Bakken Nilsen
For years, I have celebrated the classical radio station, KDFC. I would direct others to it, telling them that no east coast station came near it in quality and dignity, and only Seattle's KING FM might have a shot at the west coast. (KING's staff, tho committed to the genre, is far too predictable and hardly as innovative or creative as KDFC's.)
I grew up in KDFC's backyard, felt its influence as I came to embrace music, returned home to it after college. I rejoiced when it was one of the first radio stations to experiment with online broadcasting. (A classical station?? Technologically progressive?? Oh, yes!)
And then, on January 24, something unexpected--and, to me at least, unforeseen--happened. KDFC effectively ceased to exist.
Sort of.
Apparently, KDFC was the last of its kind, a dying breed of commercial classical radio station that has now joined the buffalo on the list of extinctions brought about by American expansion. Granted that KDFC's sponsors were of a type inaccessible to the average American at any time, much less during a recession--Rolex, Mercedes. But they were sponsored. And the sponsors saw a legitimate audience.
A few Mondays ago, suddenly, KDFC's normal signal ceased to exist. It was replaced by a handful of low-power repeaters, and an email announcing that they had switched to a listener supported model.
While this idea is not unheard of in the world of classical music, that is precisely the point: KDFC was the last remaining commercial classical station.
I loved KDFC especially because it held fast to the idea that classical music was mainstream. Now that is gone.
At least I can still love it for the music.

Also, you can listen to their live feed 24 hours a day on the web at KDFC.com.
It's not quite dead yet.
Tom · 734 weeks ago
Jeffrey Holton 67p · 734 weeks ago
I wasn't clear. All that's left is the perfect quality of antenna-less transmission. That's a good thing, at least. :)
Matt · 734 weeks ago
Jeffrey Holton 67p · 734 weeks ago
I actually kinda disagree. I like how they keep the genre vibrant and alive instead of best suited for a museum. Maybe Rachel Portman has something to say in the conversation with Franz Lizst and Modest Mussorgsky.
There is still innovation in classical music. It didn't end with Copeland and Shostakovitch.
Peggy · 734 weeks ago
Jeffrey Holton 67p · 734 weeks ago